This was probably not the point, but the end result is interesting. The game feels like it is attempting to speak to you, screaming for help. Using the 90s-style, almost barebones polygon approach of games like Myst or Encarta's MindMaze, the glitchy look actually breaks the fourth wall. This isn't a bad thing a lot of the time, because the game is using an art style that kind of complements this. However, it also just looks glitchy and unintentional. A book vibrating on a book shelf is creepy when a photo is taken and it is clearly not there any longer. Some of the scares that were most effective also look the most… off. The game is a practice in ambient fear, with mostly mildly creepy jump scares littered within. The player is tasked with taking photos and emailing them back to the offsite help, who will frequently remark, 'What am I looking at?' or something else wholly unhelpful. Something very bad has happened here, and it's very evident. Exploring the house is interesting, and the tone is definitely one of moroseness. Here, you'll employ point and click-style puzzle solving, which actually makes sense. The calibration test is more a test of patience, as the player is very poorly informed of when they need to take the picture, which leads to multiple retries.Īfter finally escaping the crate, you will find your way into a creepy house. The game allows you to take pictures with the drone and teaches you how through a vague bunch of scribbling on the back wall of your starting point and a calibration test. With one half Resident Evil clunky, one half twin-stick shooter aiming system, it's clear that piloting your little drone is going to take some practice. Leaving the safety of your box, the controls seem to be having an identity crisis. The opening of Shutter is almost arduous enough to ruin the entire experience.

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